The Magnificent Seven is a remake of Seven Samurai, only it's a western, not a samurai flick.
It almost exactly matches the original in plot, except for a divergent ending and little tweaking of characters (for instance, two samurai characters from kurosawa's movie get compounded into one cowboy in the western, with some of his attributes pawned off on the others, whilst an entirely new character is introduced, though not to the detriment of the film).
Anyway, one way in which the movies seem identical, but, I will argue, are not, is in the character(s) of Kyūzō and Britt. Kyūzō is a stolid, quiet samurai with awe-inspiring skill with a sword. Britt is a stolid, quiet gunman, with awe-inspiring skill with a switch-blade. Both characters originally decline the invitation to be part of the "seven". The characters of course are distinct in setting, but otherwise, on the face of it, they seem to express the same spirit. But they don't.
Yes, both have heterodox values from their cowboy or samurai compatriots. Britt doesn't want women or gold or adventure--he wants something else. Kyūzō doesn't want money or adventure or honor--he wants something else. Whatever these other things are that each values causes them both to act in strikingly similar ways to each other. But they ultimately value different things. Kyūzō is described by Kambei (the samurai leader) as a man who cares for nothing but the improvement of his skill. Britt however, is described by Vin (the cowboy leader) in other terms. He says that "some men want nothing but to compete". When asked by a villager about Britt, "if he's the best with gun and knife, with whom does he compete?", Vin replies, "with himself." Britt's spirit then is one of perpetual self-competition.
Now, at first, I know these values seem almost impossible to distinguish. In their outward manifestations they may even be identical. Both men are compelled to practice at becoming more controlled, at becoming faster, etc.; this leads them to disregard everything that stands in the way of their improvement [including, at first, the seemingly futile defense of a small village (thought: why do these men end up accepting the invitation?)]. But their ends are qualitatively different. One is aiming at a product, i.e., a faster draw, a better score, a closer shot, etc.; the other is aiming at the perfection of a mode: Kyūzō wants to become more and more proficient in the activity, not caring for the activity's result.
Given
this distinction, it is clear for me that I'd rather be like Kyūzō, since Britt is motivated by some kind of pride to get better--his mania is no better as far as I can tell from one who wants to get a better Pacman score. But lets assume that Britt still is striving for the product rather than the process, but without a petty spirit of competition. Rather, lets say his spirit is identical to Kyūzō's in everything but object. This would come to something like Britt wanting to achieve perfect results because perfect results are good and desirable in themselves; maybe think of a artisan who works to create a flawless piece of work for the piece of work's sake, for the excellence of the object.
Given this modification of Britt, which is the more preferable lifestyle? Do I want to live for the sake of excellent results or for the sake being myself excellent?
Let me think about it.